A bounded edit
Use a saved result as the input image.
Change only the background in @image1 to a pale stone wall. Keep the main subject, its proportions, colors, position and camera angle unchanged. Match the original direction of light.
Move from Kontext to FLUX.2 with a clear brief
Keep the creative decisions that worked. Change the model deliberately, compare the result, then refine one thing at a time.
Choose a FLUX.2 model
A practical comparison workflow
- 1
Keep a baseline
Save the original image and the instruction that produced it. Compare the same subject, crop and intended edit instead of changing everything at once.
- 2
Choose for the task
Pro is a starting point for everyday work, Flex for lettering, Max for detailed scenes and Klein for exploring variations. The model name alone is not a quality guarantee.
- 3
Inspect the change
Check face or product identity, text, object placement and lighting. If one detail fails, revise that part of the instruction before switching models again.
Make the instruction specific
A typography check
Use the same wording when comparing models.
Create a minimal poster with the exact headline "FORM AND LIGHT". One ceramic sculpture on ivory paper, headline at the top, no other words. Keep the composition simple and the lettering legible.
Before switching models
Will the same prompt produce the same image?
No. Models interpret instructions differently. Keep the intent and references, but expect to adjust wording after reviewing the result.
Do I need every old model?
No. Choose from the models currently available in the workspace. The historical family guide explains older names; it does not mean every model is selectable.
What should I preserve?
Keep your original file and prompt. Continue editing a copy so you can compare versions without losing the earlier result.